By Charles Mee Directed by Kieran Gleason One of many plays in Charles Mee’s The (Re)making Project, The Bacchae 2.1 adapts Euripides’s The Bacchae into the modern language and contexts. This Greek tragedy explores the conflicts of passion and reason, expectations and expression, extreme factions, masculinity and femininity, and the topics of gender and sexual expression and repression.
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